Messages - vDiplomacy

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01 Oct 18 UTC	Autumn, 1863: Heya. You've been busy, huh? . . . So, i've got a question for ya. Do you think even the worst person can change. . . ? That everybody can be a good person, if they just try? Heh heh heh he. . . All right. Well here's a better question. Do you wanna have a bad time? 'Cause if you take another step forward. . . You are REALLY not going to like what happens next. Welp. Sorry, old lady This is why i never make promises. It's a beautiful day outside. Birds are singing, flowers are blooming. . . On days like these, kids like you. . . Should be burning in hell. Huh. Always wondered why people never use their strongest attack first. What? You think im just gonna stand there and take it? Our reports showed a massive anomaly in the timespace continuum. Timelines jumping left and right, stopping and starting. . . Until suddenly, everything ends. Heh heh heh. . . That's your falt, isn't it? You can't understand how this feels. Knowing that one day, without any warning. . . It's all going to be reset. Look. I gave up trying to go back a long time ago. And getting to the surface doesn't really appeal anymore, either. Cause even if we do. . . We'll just end up right back here, without any memory of it, right? To be blunt. . . It makes it kind of hard to give it my all. . . . Or is that just a poor excuse for being lazy. . . ? Hell if i know. All i know is. . . Seeing what comes next. . . I can't afford not to care anymore. Ugh. . . That being said. . . You, uh, really like swinging that thing around, huh? . . . Listen. I know you didn't answer me before, but. . . Somewhere in there. I can feel it. There's a glimmer of a good person inside of you. The memory of someone who once wanted to do the right thing. Someone who, in anothee time, might have even been. . . A friend? C'mon, buddy. Do you remember me? Please, of you're listening. . . Let's forget all this, ok? Just lay down your weapon, and . . . Well, my job will be alot easier. Welp, it was worth a shot. Guess you like doing things the hard way, huh? Sounds strange, but before all this i was secretly hoping we could be friends. I always thought the anomaly was doing all this cause they were unhappy. And when they got what they wanted, they would stop all this. And maybe all they needed was. . . I dunno. Some good food, some bad laughs, some nice friends. But that's rediculous, right? Yeah, you're the type or person who won't EVER be happy. You'll keep cosuming timelines over and over, until. . . Well. Hey. Take it from me, kid. Someday. . . You gotta learn when to QUIT. And that day's TODAY. Cause. . . Y'see. . All this fighting is really tiring me out. And if you keep pushing me. . . Then i'll be forced to use my special attack. Yeah. My special attack. Sound familiar? Well. Get ready. Cause after the next move, i'm going to use it. So if you don't wanna see it, now would be a good time to die. Well. Here goes nothing. . . Are you ready? Survive this, and i'll show you my special attack! Huff. . . Puff. . . All right. That's it. It's time for my special attack. Are you ready? Here goes nothing. Yep. That's right. It's literally nothing. And its not gonna be anything, either. Heh heh heh. . . Ya get it? I know i can't beat you. One of your turns. . . You're just gonna kill me. So, uh. I've decided. . . It's not going to BE your turn, ever. I'm just gonna keep having MY turn until you give up. Evan if it means we have to stand here until the end of time. Capiche? You'll get bored here. If you haven't gotten bored already, i mean. And then you'll finally quit. I know your type. You're, uh, vety determined, aren't you? You'll never give up, evan if there's, uh. . . Absolutely NO benefit to perservering whatsoever. If i can make that clear. No matter what, you'll just keep going. Not out of any desire for good or evil. . . But just because you think you can. And bwcause you "can". . . . . . You "have to." But now, you've reached the end. There is nothing left for you now. So, uh, in my personal opinion. . . The most "determind" thing you can do here? Is to, uh, completely give up. And. . . (Yawn) do literally anything else. Heh, didja really think you would be able- . . . . . . . . . So. . . Guess thats it, huh? . . . Just. . . Don't say i diddn't warn you. Well. I'm going to grillby's. Papyrus, do you want anything?
01 Oct 18 UTC	Autumn, 1863: Oh geez this is very abusable
01 Oct 18 UTC	Autumn, 1863: lmao
01 Oct 18 UTC	Spring, 1864: I'm sorry Ollie wut
03 Oct 18 UTC	Autumn, 1864: I am what you would call a retro gamer. Here’s a bit of my history. Grew up in the 80’s and my NES was the first system I owned when I was about 5. I stick to console systems and games. I own every single Nintendo, Sega and Sony gaming systems besides the Sega Game Gear. I have a steady growing collection of NES games (325 and counting) and many other games for each of the other systems I own (one of them being a complete copy of Earthbound for the Super Nintendo, game manual and scratch n sniff stickers included). I avoid playing games on emulators and try to play everything on their original systems. I have a twin brother and together with a mutual friend of ours host a podcast called Treasure Hunting for Nostalgia where we discuss top 5 lists, (like Top 5 bosses in video games, top 5 Final Fantasy Summons) games we have been playing, and we even go out and “treasure hunt for grey gold (a term we use for NES/SNES carts)” from flea markets, used game stores, things like that… Anyway, my kids knowing I love Earthbound, suggested I play Undertale and review the game on our Podcast. Since it was only available on the PC, I declined. I got all sorts of lines thrown at me like “But Dad, you HAVE to play it, its sooooo much like Earthbound!!” and “There’s a cameo from Ness in the game!!!” I was tempted but still declined. So, fast forward to last week, I noticed Undertale came out for the PS4, so I decided to give it a whirl. As I played, I kept looking for Ness. I beat the game first and got the Neutral ending. Then I played through the True Pacifist route and finally Genocide. This was a very fun game to get through and I loved how every route had different modes of play. The Genocide route was a welcome challenge since games now a days don’t offer much of a challenge. I mean, you sit most kids in front of let’s say, Mega Man and they give up before even getting to the first boss (which was usually Bomb Man for me). I was starting to think this whole “Ness cameo” was a con to get me to play the game. So, perplexed, I asked my kids where Ness was, and come to find out, they were talking about Sans. SANS?!?! WTF?? I asked them how the hell they thought Sans was Ness. They really couldn’t give me a better answer than saying Toby Fox, the creator of the game, said Sans was Ness. I was so peeved by this “theory” I said the first thing that came to mind: “That’s like me making a movie called The Marvelous Mutant and saying The Marvelous Mutant is The Incredible Hulk” The only reference I could find that is anything Earthbound related is the image on Papyrus’s chest is a Starman symbol. I mean, the game is a little quirky like Earthbound, the enemy fights perspective is like Earthbound and the over world design reminds me of Earthbound. Otherwise, there is no direct link between Sans and Ness (I guess besides the psychokinesis powers) Has anyone else found proof of this? I started looking into this whole Sans is Ness debate and it seems like a relatively popular fan theory. I just don’t get why so many people would come to this conclusion because it seems so black and white to me. Sorry for the rant, I just had to get this one off my chest. Usually i let fan theories be theories but i couldn't let this one go.
05 Oct 18 UTC	Autumn, 1865: Ollie please just stop
06 Oct 18 UTC	Spring, 1866: SCENE I. A desert place. Thunder and lightning. Enter three Witches First Witch When shall we three meet again In thunder, lightning, or in rain? Second Witch When the hurlyburly's done, When the battle's lost and won. Third Witch That will be ere the set of sun. First Witch Where the place? Second Witch Upon the heath. Third Witch There to meet with Macbeth. First Witch I come, Graymalkin! Second Witch Paddock calls. Third Witch Anon. ALL Fair is foul, and foul is fair: Hover through the fog and filthy air. Exeunt SCENE II. A camp near Forres. Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant DUNCAN What bloody man is that? He can report, As seemeth by his plight, of the revolt The newest state. MALCOLM This is the sergeant Who like a good and hardy soldier fought 'Gainst my captivity. Hail, brave friend! Say to the king the knowledge of the broil As thou didst leave it. Sergeant Doubtful it stood; As two spent swimmers, that do cling together And choke their art. The merciless Macdonwald-- Worthy to be a rebel, for to that The multiplying villanies of nature Do swarm upon him--from the western isles Of kerns and gallowglasses is supplied; And fortune, on his damned quarrel smiling, Show'd like a rebel's whore: but all's too weak: For brave Macbeth--well he deserves that name-- Disdaining fortune, with his brandish'd steel, Which smoked with bloody execution, Like valour's minion carved out his passage Till he faced the slave; Which ne'er shook hands, nor bade farewell to him, Till he unseam'd him from the nave to the chaps, And fix'd his head upon our battlements. DUNCAN O valiant cousin! worthy gentleman! Sergeant As whence the sun 'gins his reflection Shipwrecking storms and direful thunders break, So from that spring whence comfort seem'd to come Discomfort swells. Mark, king of Scotland, mark: No sooner justice had with valour arm'd Compell'd these skipping kerns to trust their heels, But the Norweyan lord surveying vantage, With furbish'd arms and new supplies of men Began a fresh assault. DUNCAN Dismay'd not this Our captains, Macbeth and Banquo? Sergeant Yes; As sparrows eagles, or the hare the lion. If I say sooth, I must report they were As cannons overcharged with double cracks, so they Doubly redoubled strokes upon the foe: Except they meant to bathe in reeking wounds, Or memorise another Golgotha, I cannot tell. But I am faint, my gashes cry for help. DUNCAN So well thy words become thee as thy wounds; They smack of honour both. Go get him surgeons. Exit Sergeant, attended Who comes here? Enter ROSS MALCOLM The worthy thane of Ross. LENNOX What a haste looks through his eyes! So should he look That seems to speak things strange. ROSS God save the king! DUNCAN Whence camest thou, worthy thane? ROSS From Fife, great king; Where the Norweyan banners flout the sky And fan our people cold. Norway himself, With terrible numbers, Assisted by that most disloyal traitor The thane of Cawdor, began a dismal conflict; Till that Bellona's bridegroom, lapp'd in proof, Confronted him with self-comparisons, Point against point rebellious, arm 'gainst arm. Curbing his lavish spirit: and, to conclude, The victory fell on us. DUNCAN Great happiness! ROSS That now Sweno, the Norways' king, craves composition: Nor would we deign him burial of his men Till he disbursed at Saint Colme's inch Ten thousand dollars to our general use. DUNCAN No more that thane of Cawdor shall deceive Our bosom interest: go pronounce his present death, And with his former title greet Macbeth. ROSS I'll see it done. DUNCAN What he hath lost noble Macbeth hath won. Exeunt SCENE III. A heath near Forres. Thunder. Enter the three Witches First Witch Where hast thou been, sister? Second Witch Killing swine. Third Witch Sister, where thou? First Witch A sailor's wife had chestnuts in her lap, And munch'd, and munch'd, and munch'd:-- 'Give me,' quoth I: 'Aroint thee, witch!' the rump-fed ronyon cries. Her husband's to Aleppo gone, master o' the Tiger: But in a sieve I'll thither sail, And, like a rat without a tail, I'll do, I'll do, and I'll do. Second Witch I'll give thee a wind. First Witch Thou'rt kind. Third Witch And I another. First Witch I myself have all the other, And the very ports they blow, All the quarters that they know I' the shipman's card. I will drain him dry as hay: Sleep shall neither night nor day Hang upon his pent-house lid; He shall live a man forbid: Weary se'nnights nine times nine Shall he dwindle, peak and pine: Though his bark cannot be lost, Yet it shall be tempest-tost. Look what I have. Second Witch Show me, show me. First Witch Here I have a pilot's thumb, Wreck'd as homeward he did come. Drum within Third Witch A drum, a drum! Macbeth doth come. ALL The weird sisters, hand in hand, Posters of the sea and land, Thus do go about, about: Thrice to thine and thrice to mine And thrice again, to make up nine. Peace! the charm's wound up. Enter MACBETH and BANQUO MACBETH So foul and fair a day I have not seen. BANQUO How far is't call'd to Forres? What are these So wither'd and so wild in their attire, That look not like the inhabitants o' the earth, And yet are on't? Live you? or are you aught That man may question? You seem to understand me, By each at once her chappy finger laying Upon her skinny lips: you should be women, And yet your beards forbid me to interpret That you are so. MACBETH Speak, if you can: what are you? First Witch All hail, Macbeth! hail to thee, thane of Glamis! Second Witch All hail, Macbeth, hail to thee, thane of Cawdor! Third Witch All hail, Macbeth, thou shalt be king hereafter! BANQUO Good sir, why do you start; and seem to fear Things that do sound so fair? I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal: to me you speak not. If you can look into the seeds of time, And say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate. First Witch Hail! Second Witch Hail! Third Witch Hail! First Witch Lesser than Macbeth, and greater. Second Witch Not so happy, yet much happier. Third Witch Thou shalt get kings, though thou be none: So all hail, Macbeth and Banquo! First Witch Banquo and Macbeth, all hail! MACBETH Stay, you imperfect speakers, tell me more: By Sinel's death I know I am thane of Glamis; But how of Cawdor? the thane of Cawdor lives, A prosperous gentleman; and to be king Stands not within the prospect of belief, No more than to be Cawdor. Say from whence You owe this strange intelligence? or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. Witches vanish BANQUO The earth hath bubbles, as the water has, And these are of them. Whither are they vanish'd? MACBETH Into the air; and what seem'd corporal melted As breath into the wind. Would they had stay'd! BANQUO Were such things here as we do speak about? Or have we eaten on the insane root That takes the reason prisoner? MACBETH Your children shall be kings. BANQUO You shall be king. MACBETH And thane of Cawdor too: went it not so? BANQUO To the selfsame tune and words. Who's here? Enter ROSS and ANGUS ROSS The king hath happily received, Macbeth, The news of thy success; and when he reads Thy personal venture in the rebels' fight, His wonders and his praises do contend Which should be thine or his: silenced with that, In viewing o'er the rest o' the selfsame day, He finds thee in the stout Norweyan ranks, Nothing afeard of what thyself didst make, Strange images of death. As thick as hail Came post with post; and every one did bear Thy praises in his kingdom's great defence, And pour'd them down before him. ANGUS We are sent To give thee from our royal master thanks; Only to herald thee into his sight, Not pay thee. ROSS And, for an earnest of a greater honour, He bade me, from him, call thee thane of Cawdor: In which addition, hail, most worthy thane! For it is thine. BANQUO What, can the devil speak true? MACBETH The thane of Cawdor lives: why do you dress me In borrow'd robes? ANGUS Who was the thane lives yet; But under heavy judgment bears that life Which he deserves to lose. Whether he was combined With those of Norway, or did line the rebel With hidden help and vantage, or that with both He labour'd in his country's wreck, I know not; But treasons capital, confess'd and proved, Have overthrown him. MACBETH [Aside] Glamis, and thane of Cawdor! The greatest is behind. To ROSS and ANGUS Thanks for your pains. To BANQUO Do you not hope your children shall be kings, When those that gave the thane of Cawdor to me Promised no less to them? BANQUO That trusted home Might yet enkindle you unto the crown, Besides the thane of Cawdor. But 'tis strange: And oftentimes, to win us to our harm, The instruments of darkness tell us truths, Win us with honest trifles, to betray's In deepest consequence. Cousins, a word, I pray you. MACBETH [Aside] Two truths are told, As happy prologues to the swelling act Of the imperial theme.--I thank you, gentlemen. Aside Cannot be ill, cannot be good: if ill, Why hath it given me earnest of success, Commencing in a truth? I am thane of Cawdor: If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature? Present fears Are less than horrible imaginings: My thought, whose murder yet is but fantastical, Shakes so my single state of man that function Is smother'd in surmise, and nothing is But what is not. BANQUO Look, how our partner's rapt. MACBETH [Aside] If chance will have me king, why, chance may crown me, Without my stir. BANQUO New horrors come upon him, Like our strange garments, cleave not to their mould But with the aid of use. MACBETH [Aside] Come what come may, Time and the hour runs through the roughest day. BANQUO Worthy Macbeth, we stay upon your leisure. MACBETH Give me your favour: my dull brain was wrought With things forgotten. Kind gentlemen, your pains Are register'd where every day I turn The leaf to read them. Let us toward the king. Think upon what hath chanced, and, at more time, The interim having weigh'd it, let us speak Our free hearts each to other. BANQUO Very gladly. MACBETH Till then, enough. Come, friends. Exeunt SCENE IV. Forres. The palace. Flourish. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, and Attendants DUNCAN Is execution done on Cawdor? Are not Those in commission yet return'd? MALCOLM My liege, They are not yet come back. But I have spoke With one that saw him die: who did report That very frankly he confess'd his treasons, Implored your highness' pardon and set forth A deep repentance: nothing in his life Became him like the leaving it; he died As one that had been studied in his death To throw away the dearest thing he owed, As 'twere a careless trifle. DUNCAN There's no art To find the mind's construction in the face: He was a gentleman on whom I built An absolute trust. Enter MACBETH, BANQUO, ROSS, and ANGUS O worthiest cousin! The sin of my ingratitude even now Was heavy on me: thou art so far before That swiftest wing of recompense is slow To overtake thee. Would thou hadst less deserved, That the proportion both of thanks and payment Might have been mine! only I have left to say, More is thy due than more than all can pay. MACBETH The service and the loyalty I owe, In doing it, pays itself. Your highness' part Is to receive our duties; and our duties Are to your throne and state children and servants, Which do but what they should, by doing every thing Safe toward your love and honour. DUNCAN Welcome hither: I have begun to plant thee, and will labour To make thee full of growing. Noble Banquo, That hast no less deserved, nor must be known No less to have done so, let me enfold thee And hold thee to my heart. BANQUO There if I grow, The harvest is your own. DUNCAN My plenteous joys, Wanton in fulness, seek to hide themselves In drops of sorrow. Sons, kinsmen, thanes, And you whose places are the nearest, know We will establish our estate upon Our eldest, Malcolm, whom we name hereafter The Prince of Cumberland; which honour must Not unaccompanied invest him only, But signs of nobleness, like stars, shall shine On all deservers. From hence to Inverness, And bind us further to you. MACBETH The rest is labour, which is not used for you: I'll be myself the harbinger and make joyful The hearing of my wife with your approach; So humbly take my leave. DUNCAN My worthy Cawdor! MACBETH [Aside] The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. Exit DUNCAN True, worthy Banquo; he is full so valiant, And in his commendations I am fed; It is a banquet to me. Let's after him, Whose care is gone before to bid us welcome: It is a peerless kinsman. Flourish. Exeunt SCENE V. Inverness. Macbeth's castle. Enter LADY MACBETH, reading a letter LADY MACBETH 'They met me in the day of success: and I have learned by the perfectest report, they have more in them than mortal knowledge. When I burned in desire to question them further, they made themselves air, into which they vanished. Whiles I stood rapt in the wonder of it, came missives from the king, who all-hailed me 'Thane of Cawdor;' by which title, before, these weird sisters saluted me, and referred me to the coming on of time, with 'Hail, king that shalt be!' This have I thought good to deliver thee, my dearest partner of greatness, that thou mightst not lose the dues of rejoicing, by being ignorant of what greatness is promised thee. Lay it to thy heart, and farewell.' Glamis thou art, and Cawdor; and shalt be What thou art promised: yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way: thou wouldst be great; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win: thou'ldst have, great Glamis, That which cries 'Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.' Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal. Enter a Messenger What is your tidings? Messenger The king comes here to-night. LADY MACBETH Thou'rt mad to say it: Is not thy master with him? who, were't so, Would have inform'd for preparation. Messenger So please you, it is true: our thane is coming: One of my fellows had the speed of him, Who, almost dead for breath, had scarcely more Than would make up his message. LADY MACBETH Give him tending; He brings great news. Exit Messenger The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!' Enter MACBETH Great Glamis! worthy Cawdor! Greater than both, by the all-hail hereafter! Thy letters have transported me beyond This ignorant present, and I feel now The future in the instant. MACBETH My dearest love, Duncan comes here to-night. LADY MACBETH And when goes hence? MACBETH To-morrow, as he purposes. LADY MACBETH O, never Shall sun that morrow see! Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't. He that's coming Must be provided for: and you shall put This night's great business into my dispatch; Which shall to all our nights and days to come Give solely sovereign sway and masterdom. MACBETH We will speak further. LADY MACBETH Only look up clear; To alter favour ever is to fear: Leave all the rest to me. Exeunt SCENE VI. Before Macbeth's castle. Hautboys and torches. Enter DUNCAN, MALCOLM, DONALBAIN, BANQUO, LENNOX, MACDUFF, ROSS, ANGUS, and Attendants DUNCAN This castle hath a pleasant seat; the air Nimbly and sweetly recommends itself Unto our gentle senses. BANQUO This guest of summer, The temple-haunting martlet, does approve, By his loved mansionry, that the heaven's breath Smells wooingly here: no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle: Where they most breed and haunt, I have observed, The air is delicate. Enter LADY MACBETH DUNCAN See, see, our honour'd hostess! The love that follows us sometime is our trouble, Which still we thank as love. Herein I teach you How you shall bid God 'ild us for your pains, And thank us for your trouble. LADY MACBETH All our service In every point twice done and then done double Were poor and single business to contend Against those honours deep and broad wherewith Your majesty loads our house: for those of old, And the late dignities heap'd up to them, We rest your hermits. DUNCAN Where's the thane of Cawdor? We coursed him at the heels, and had a purpose To be his purveyor: but he rides well; And his great love, sharp as his spur, hath holp him To his home before us. Fair and noble hostess, We are your guest to-night. LADY MACBETH Your servants ever Have theirs, themselves and what is theirs, in compt, To make their audit at your highness' pleasure, Still to return your own. DUNCAN Give me your hand; Conduct me to mine host: we love him highly, And shall continue our graces towards him. By your leave, hostess. Exeunt SCENE VII. Macbeth's castle. Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH MACBETH If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other. Enter LADY MACBETH How now! what news? LADY MACBETH He has almost supp'd: why have you left the chamber? MACBETH Hath he ask'd for me? LADY MACBETH Know you not he has? MACBETH We will proceed no further in this business: He hath honour'd me of late; and I have bought Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon. LADY MACBETH Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat i' the adage? MACBETH Prithee, peace: I dare do all that may become a man; Who dares do more is none. LADY MACBETH What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man. Nor time nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this. MACBETH If we should fail? LADY MACBETH We fail! But screw your courage to the sticking-place, And we'll not fail. When Duncan is asleep-- Whereto the rather shall his day's hard journey Soundly invite him--his two chamberlains Will I with wine and wassail so convince That memory, the warder of the brain, Shall be a fume, and the receipt of reason A limbeck only: when in swinish sleep Their drenched natures lie as in a death, What cannot you and I perform upon The unguarded Duncan? what not put upon His spongy officers, who shall bear the guilt Of our great quell? MACBETH Bring forth men-children only; For thy undaunted mettle should compose Nothing but males. Will it not be received, When we have mark'd with blood those sleepy two Of his own chamber and used their very daggers, That they have done't? LADY MACBETH Who dares receive it other, As we shall make our griefs and clamour roar Upon his death? MACBETH I am settled, and bend up Each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know. Exeunt
06 Oct 18 UTC	Spring, 1866: ACT II SCENE I. Court of Macbeth's castle. Enter BANQUO, and FLEANCE bearing a torch before him BANQUO How goes the night, boy? FLEANCE The moon is down; I have not heard the clock. BANQUO And she goes down at twelve. FLEANCE I take't, 'tis later, sir. BANQUO Hold, take my sword. There's husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose! Enter MACBETH, and a Servant with a torch Give me my sword. Who's there? MACBETH A friend. BANQUO What, sir, not yet at rest? The king's a-bed: He hath been in unusual pleasure, and Sent forth great largess to your offices. This diamond he greets your wife withal, By the name of most kind hostess; and shut up In measureless content. MACBETH Being unprepared, Our will became the servant to defect; Which else should free have wrought. BANQUO All's well. I dreamt last night of the three weird sisters: To you they have show'd some truth. MACBETH I think not of them: Yet, when we can entreat an hour to serve, We would spend it in some words upon that business, If you would grant the time. BANQUO At your kind'st leisure. MACBETH If you shall cleave to my consent, when 'tis, It shall make honour for you. BANQUO So I lose none In seeking to augment it, but still keep My bosom franchised and allegiance clear, I shall be counsell'd. MACBETH Good repose the while! BANQUO Thanks, sir: the like to you! Exeunt BANQUO and FLEANCE MACBETH Go bid thy mistress, when my drink is ready, She strike upon the bell. Get thee to bed. Exit Servant Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing: It is the bloody business which informs Thus to mine eyes. Now o'er the one halfworld Nature seems dead, and wicked dreams abuse The curtain'd sleep; witchcraft celebrates Pale Hecate's offerings, and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words to the heat of deeds too cold breath gives. A bell rings I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell That summons thee to heaven or to hell. Exit SCENE II. The same. Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire. Hark! Peace! It was the owl that shriek'd, the fatal bellman, Which gives the stern'st good-night. He is about it: The doors are open; and the surfeited grooms Do mock their charge with snores: I have drugg'd their possets, That death and nature do contend about them, Whether they live or die. MACBETH [Within] Who's there? what, ho! LADY MACBETH Alack, I am afraid they have awaked, And 'tis not done. The attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss 'em. Had he not resembled My father as he slept, I had done't. Enter MACBETH My husband! MACBETH I have done the deed. Didst thou not hear a noise? LADY MACBETH I heard the owl scream and the crickets cry. Did not you speak? MACBETH When? LADY MACBETH Now. MACBETH As I descended? LADY MACBETH Ay. MACBETH Hark! Who lies i' the second chamber? LADY MACBETH Donalbain. MACBETH This is a sorry sight. Looking on his hands LADY MACBETH A foolish thought, to say a sorry sight. MACBETH There's one did laugh in's sleep, and one cried 'Murder!' That they did wake each other: I stood and heard them: But they did say their prayers, and address'd them Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried 'God bless us!' and 'Amen' the other; As they had seen me with these hangman's hands. Listening their fear, I could not say 'Amen,' When they did say 'God bless us!' LADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat. LADY MACBETH These deeds must not be thought After these ways; so, it will make us mad. MACBETH Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast,-- LADY MACBETH What do you mean? MACBETH Still it cried 'Sleep no more!' to all the house: 'Glamis hath murder'd sleep, and therefore Cawdor Shall sleep no more; Macbeth shall sleep no more.' LADY MACBETH Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them; and smear The sleepy grooms with blood. MACBETH I'll go no more: I am afraid to think what I have done; Look on't again I dare not. LADY MACBETH Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal; For it must seem their guilt. Exit. Knocking within MACBETH Whence is that knocking? How is't with me, when every noise appals me? What hands are here? ha! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. Re-enter LADY MACBETH LADY MACBETH My hands are of your colour; but I shame To wear a heart so white. Knocking within I hear a knocking At the south entry: retire we to our chamber; A little water clears us of this deed: How easy is it, then! Your constancy Hath left you unattended. Knocking within Hark! more knocking. Get on your nightgown, lest occasion call us, And show us to be watchers. Be not lost So poorly in your thoughts. MACBETH To know my deed, 'twere best not know myself. Knocking within Wake Duncan with thy knocking! I would thou couldst! Exeunt SCENE III. The same. Knocking within. Enter a Porter Porter Here's a knocking indeed! If a man were porter of hell-gate, he should have old turning the key. Knocking within Knock, knock, knock! Who's there, i' the name of Beelzebub? Here's a farmer, that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you'll sweat for't. Knocking within Knock, knock! Who's there, in the other devil's name? Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O, come in, equivocator. Knocking within Knock, knock, knock! Who's there? Faith, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. Knocking within Knock, knock; never at quiet! What are you? But this place is too cold for hell. I'll devil-porter it no further: I had thought to have let in some of all professions that go the primrose way to the everlasting bonfire. Knocking within Anon, anon! I pray you, remember the porter. Opens the gate Enter MACDUFF and LENNOX MACDUFF Was it so late, friend, ere you went to bed, That you do lie so late? Porter 'Faith sir, we were carousing till the second cock: and drink, sir, is a great provoker of three things. MACDUFF What three things does drink especially provoke? Porter Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. MACDUFF I believe drink gave thee the lie last night. Porter That it did, sir, i' the very throat on me: but I requited him for his lie; and, I think, being too strong for him, though he took up my legs sometime, yet I made a shift to cast him. MACDUFF Is thy master stirring? Enter MACBETH Our knocking has awaked him; here he comes. LENNOX Good morrow, noble sir. MACBETH Good morrow, both. MACDUFF Is the king stirring, worthy thane? MACBETH Not yet. MACDUFF He did command me to call timely on him: I have almost slipp'd the hour. MACBETH I'll bring you to him. MACDUFF I know this is a joyful trouble to you; But yet 'tis one. MACBETH The labour we delight in physics pain. This is the door. MACDUFF I'll make so bold to call, For 'tis my limited service. Exit LENNOX Goes the king hence to-day? MACBETH He does: he did appoint so. LENNOX The night has been unruly: where we lay, Our chimneys were blown down; and, as they say, Lamentings heard i' the air; strange screams of death, And prophesying with accents terrible Of dire combustion and confused events New hatch'd to the woeful time: the obscure bird Clamour'd the livelong night: some say, the earth Was feverous and did shake. MACBETH 'Twas a rough night. LENNOX My young remembrance cannot parallel A fellow to it. Re-enter MACDUFF MACDUFF O horror, horror, horror! Tongue nor heart Cannot conceive nor name thee! MACBETH LENNOX What's the matter. MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord's anointed temple, and stole thence The life o' the building! MACBETH What is 't you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon: do not bid me speak; See, and then speak yourselves. Exeunt MACBETH and LENNOX Awake, awake! Ring the alarum-bell. Murder and treason! Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death's counterfeit, And look on death itself! up, up, and see The great doom's image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror! Ring the bell. Bell rings Enter LADY MACBETH LADY MACBETH What's the business, That such a hideous trumpet calls to parley The sleepers of the house? speak, speak! MACDUFF O gentle lady, 'Tis not for you to hear what I can speak: The repetition, in a woman's ear, Would murder as it fell. Enter BANQUO O Banquo, Banquo, Our royal master 's murder'd! LADY MACBETH Woe, alas! What, in our house? BANQUO Too cruel any where. Dear Duff, I prithee, contradict thyself, And say it is not so. Re-enter MACBETH and LENNOX, with ROSS MACBETH Had I but died an hour before this chance, I had lived a blessed time; for, from this instant, There 's nothing serious in mortality: All is but toys: renown and grace is dead; The wine of life is drawn, and the mere lees Is left this vault to brag of. Enter MALCOLM and DONALBAIN DONALBAIN What is amiss? MACBETH You are, and do not know't: The spring, the head, the fountain of your blood Is stopp'd; the very source of it is stopp'd. MACDUFF Your royal father 's murder'd. MALCOLM O, by whom? LENNOX Those of his chamber, as it seem'd, had done 't: Their hands and faces were an badged with blood; So were their daggers, which unwiped we found Upon their pillows: They stared, and were distracted; no man's life Was to be trusted with them. MACBETH O, yet I do repent me of my fury, That I did kill them. MACDUFF Wherefore did you so? MACBETH Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man: The expedition my violent love Outrun the pauser, reason. Here lay Duncan, His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature For ruin's wasteful entrance: there, the murderers, Steep'd in the colours of their trade, their daggers Unmannerly breech'd with gore: who could refrain, That had a heart to love, and in that heart Courage to make 's love kno wn? LADY MACBETH Help me hence, ho! MACDUFF Look to the lady. MALCOLM [Aside to DONALBAIN] Why do we hold our tongues, That most may claim this argument for ours? DONALBAIN [Aside to MALCOLM] What should be spoken here, where our fate, Hid in an auger-hole, may rush, and seize us? Let 's away; Our tears are not yet brew'd. MALCOLM [Aside to DONALBAIN] Nor our strong sorrow Upon the foot of motion. BANQUO Look to the lady: LADY MACBETH is carried out And when we have our naked frailties hid, That suffer in exposure, let us meet, And question this most bloody piece of work, To know it further. Fears and scruples shake us: In the great hand of God I stand; and thence Against the undivulged pretence I fight Of treasonous malice. MACDUFF And so do I. ALL So all. MACBETH Let's briefly put on manly readiness, And meet i' the hall together. ALL Well contented. Exeunt all but Malcolm and Donalbain. MALCOLM What will you do? Let's not consort with them: To show an unfelt sorrow is an office Which the false man does easy. I'll to England. DONALBAIN To Ireland, I; our separated fortune Shall keep us both the safer: where we are, There's daggers in men's smiles: the near in blood, The nearer bloody. MALCOLM This murderous shaft that's shot Hath not yet lighted, and our safest way Is to avoid the aim. Therefore, to horse; And let us not be dainty of leave-taking, But shift away: there's warrant in that theft Which steals itself, when there's no mercy left. Exeunt SCENE IV. Outside Macbeth's castle. Enter ROSS and an old Man Old Man Threescore and ten I can remember well: Within the volume of which time I have seen Hours dreadful and things strange; but this sore night Hath trifled former knowings. ROSS Ah, good father, Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it? Old Man 'Tis unnatural, Even like the deed that's done. On Tuesday last, A falcon, towering in her pride of place, Was by a mousing owl hawk'd at and kill'd. ROSS And Duncan's horses--a thing most strange and certain-- Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung out, Contending 'gainst obedience, as they would make War with mankind. Old Man 'Tis said they eat each other. ROSS They did so, to the amazement of mine eyes That look'd upon't. Here comes the good Macduff. Enter MACDUFF How goes the world, sir, now? MACDUFF Why, see you not? ROSS Is't known who did this more than bloody deed? MACDUFF Those that Macbeth hath slain. ROSS Alas, the day! What good could they pretend? MACDUFF They were suborn'd: Malcolm and Donalbain, the king's two sons, Are stol'n away and fled; which puts upon them Suspicion of the deed. ROSS 'Gainst nature still! Thriftless ambition, that wilt ravin up Thine own life's means! Then 'tis most like The sovereignty will fall upon Macbeth. MACDUFF He is already named, and gone to Scone To be invested. ROSS Where is Duncan's body? MACDUFF Carried to Colmekill, The sacred storehouse of his predecessors, And guardian of their bones. ROSS Will you to Scone? MACDUFF No, cousin, I'll to Fife. ROSS Well, I will thither. MACDUFF Well, may you see things well done there: adieu! Lest our old robes sit easier than our new! ROSS Farewell, father. Old Man God's benison go with you; and with those That would make good of bad, and friends of foes! Exeunt
07 Oct 18 UTC	Spring, 1866: ACT II SCENE I. Court of Macbeth's castle. Enter BANQUO, and FLEANCE bearing a torch before him BANQUO How goes the night, boy? FLEANCE The moon is down; I have not heard the clock. BANQUO And she goes down at twelve. FLEANCE I take't, 'tis later, sir. BANQUO Hold, take my sword. There's husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose! Enter MACBETH, and a Servant with a torch Give me my sword. Who's there? MACBETH A friend. BANQUO What, sir, not yet at rest? The king's a-bed: He hath been in unusual pleasure, and Sent forth great largess to your offices. This diamond he greets your wife withal, By the name of most kind hostess; and shut up In measureless content. MACBETH Being unprepared, Our will became the servant to defect; Which else should free have wrought. BANQUO All's well. I dreamt last night of the three weird sisters: To you they have show'd some truth. MACBETH I think not of them: Yet, when we can entreat an hour to serve, We would spend it in some words upon that business, If you would grant the time. BANQUO At your kind'st leisure. MACBETH If you shall cleave to my consent, when 'tis, It shall make honour for you. BANQUO So I lose none In seeking to augment it, but still keep My bosom franchised and allegiance clear, I shall be counsell'd. MACBETH Good repose the while! BANQUO Thanks, sir: the like to you! Exeunt BANQUO and FLEANCE MACBETH Go bid thy mistress, when my drink is ready, She strike upon the bell. Get thee to bed. Exit Servant Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing: It is the bloody business which informs Thus to mine eyes. Now o'er the one halfworld Nature seems dead, and wicked dreams abuse The curtain'd sleep; witchcraft celebrates Pale Hecate's offerings, and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words to the heat of deeds too cold breath gives. A bell rings I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell That summons thee to heaven or to hell. Exit SCENE II. The same. Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire. Hark! Peace! It was the owl that shriek'd, the fatal bellman, Which gives the stern'st good-night. He is about it: The doors are open; and the surfeited grooms Do mock their charge with snores: I have drugg'd their possets, That death and nature do contend about them, Whether they live or die. MACBETH [Within] Who's there? what, ho! LADY MACBETH Alack, I am afraid they have awaked, And 'tis not done. The attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss 'em. Had he not resembled My father as he slept, I had done't. Enter MACBETH My husband! MACBETH I have done the deed. Didst thou not hear a noise? LADY MACBETH I heard the owl scream and the crickets cry. Did not you speak? MACBETH When? LADY MACBETH Now. MACBETH As I descended? LADY MACBETH Ay. MACBETH Hark! Who lies i' the second chamber? LADY MACBETH Donalbain. MACBETH This is a sorry sight. Looking on his hands LADY MACBETH A foolish thought, to say a sorry sight. MACBETH There's one did laugh in's sleep, and one cried 'Murder!' That they did wake each other: I stood and heard them: But they did say their prayers, and address'd them Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried 'God bless us!' and 'Amen' the other; As they had seen me with these hangman's hands. Listening their fear, I could not say 'Amen,' When they did say 'God bless us!' LADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat. LADY MACBETH These deeds must not be thought After these ways; so, it will make us mad. MACBETH Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast,-- LADY MACBETH What do you mean? MACBETH Still it cried 'Sleep no more!' to all the house: 'Glamis hath murder'd sleep, and therefore Cawdor Shall sleep no more; Macbeth shall sleep no more.' LADY MACBETH Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them; and smear The sleepy grooms with blood. MACBETH I'll go no more: I am afraid to think what I have done; Look on't again I dare not. LADY MACBETH Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal; For it must seem their guilt. Exit. Knocking within MACBETH Whence is that knocking? How is't with me, when every noise appals me? What hands are here? ha! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. Re-enter LADY MACBETH LADY MACBETH My hands are of your colour; but I shame To wear a heart so white. Knocking within I hear a knocking At the south entry: retire we to our chamber; A little water clears us of this deed: How easy is it, then! Your constancy Hath left you unattended. Knocking within Hark! more knocking. Get on your nightgown, lest occasion call us, And show us to be watchers. Be not lost So poorly in your thoughts. MACBETH To know my deed, 'twere best not know myself. Knocking within Wake Duncan with thy knocking! I would thou couldst! Exeunt SCENE III. The same. Knocking within. Enter a Porter Porter Here's a knocking indeed! If a man were porter of hell-gate, he should have old turning the key. Knocking within Knock, knock, knock! Who's there, i' the name of Beelzebub? Here's a farmer, that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you'll sweat for't. Knocking within Knock, knock! Who's there, in the other devil's name? Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O, come in, equivocator. Knocking within Knock, knock, knock! Who's there? Faith, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. Knocking within Knock, knock; never at quiet! What are you? But this place is too cold for hell. I'll devil-porter it no further: I had thought to have let in some of all professions that go the primrose way to the everlasting bonfire. Knocking within Anon, anon! I pray you, remember the porter. Opens the gate Enter MACDUFF and LENNOX MACDUFF Was it so late, friend, ere you went to bed, That you do lie so late? Porter 'Faith sir, we were carousing till the second cock: and drink, sir, is a great provoker of three things. MACDUFF What three things does drink especially provoke? Porter Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. MACDUFF I believe drink gave thee the lie last night. Porter That it did, sir, i' the very throat on me: but I requited him for his lie; and, I think, being too strong for him, though he took up my legs sometime, yet I made a shift to cast him. MACDUFF Is thy master stirring? Enter MACBETH Our knocking has awaked him; here he comes. LENNOX Good morrow, noble sir. MACBETH Good morrow, both. MACDUFF Is the king stirring, worthy thane? MACBETH Not yet. MACDUFF He did command me to call timely on him: I have almost slipp'd the hour. MACBETH I'll bring you to him. MACDUFF I know this is a joyful trouble to you; But yet 'tis one. MACBETH The labour we delight in physics pain. This is the door. MACDUFF I'll make so bold to call, For 'tis my limited service. Exit LENNOX Goes the king hence to-day? MACBETH He does: he did appoint so. LENNOX The night has been unruly: where we lay, Our chimneys were blown down; and, as they say, Lamentings heard i' the air; strange screams of death, And prophesying with accents terrible Of dire combustion and confused events New hatch'd to the woeful time: the obscure bird Clamour'd the livelong night: some say, the earth Was feverous and did shake. MACBETH 'Twas a rough night. LENNOX My young remembrance cannot parallel A fellow to it. Re-enter MACDUFF MACDUFF O horror, horror, horror! Tongue nor heart Cannot conceive nor name thee! MACBETH LENNOX What's the matter. MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord's anointed temple, and stole thence The life o' the building! MACBETH What is 't you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon: do not bid me speak; See, and then speak yourselves. Exeunt MACBETH and LENNOX Awake, awake! Ring the alarum-bell. Murder and treason! Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death's counterfeit, And look on death itself! up, up, and see The great doom's image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror! Ring the bell. Bell rings Enter LADY MACBETH LADY MACBETH What's the business, That such a hideous trumpet calls to parley The sleepers of the house? speak, speak! MACDUFF O gentle lady, 'Tis not for you to hear what I can speak: The repetition, in a woman's ear, Would murder as it fell. Enter BANQUO O Banquo, Banquo, Our royal master 's murder'd! LADY MACBETH Woe, alas! What, in our house? BANQUO Too cruel any where. Dear Duff, I prithee, contradict thyself, And say it is not so. Re-enter MACBETH and LENNOX, with ROSS MACBETH Had I but died an hour before this chance, I had lived a blessed time; for, from this instant, There 's nothing serious in mortality: All is but toys: renown and grace is dead; The wine of life is drawn, and the mere lees Is left this vault to brag of. Enter MALCOLM and DONALBAIN DONALBAIN What is amiss? MACBETH You are, and do not know't: The spring, the head, the fountain of your blood Is stopp'd; the very source of it is stopp'd. MACDUFF Your royal father 's murder'd. MALCOLM O, by whom? LENNOX Those of his chamber, as it seem'd, had done 't: Their hands and faces were an badged with blood; So were their daggers, which unwiped we found Upon their pillows: They stared, and were distracted; no man's life Was to be trusted with them. MACBETH O, yet I do repent me of my fury, That I did kill them. MACDUFF Wherefore did you so? MACBETH Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man: The expedition my violent love Outrun the pauser, reason. Here lay Duncan, His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature For ruin's wasteful entrance: there, the murderers, Steep'd in the colours of their trade, their daggers Unmannerly breech'd with gore: who could refrain, That had a heart to love, and in that heart Courage to make 's love kno wn? LADY MACBETH Help me hence, ho! MACDUFF Look to the lady. MALCOLM [Aside to DONALBAIN] Why do we hold our tongues, That most may claim this argument for ours? DONALBAIN [Aside to MALCOLM] What should be spoken here, where our fate, Hid in an auger-hole, may rush, and seize us? Let 's away; Our tears are not yet brew'd. MALCOLM [Aside to DONALBAIN] Nor our strong sorrow Upon the foot of motion. BANQUO Look to the lady: LADY MACBETH is carried out And when we have our naked frailties hid, That suffer in exposure, let us meet, And question this most bloody piece of work, To know it further. Fears and scruples shake us: In the great hand of God I stand; and thence Against the undivulged pretence I fight Of treasonous malice. MACDUFF And so do I. ALL So all. MACBETH Let's briefly put on manly readiness, And meet i' the hall together. ALL Well contented. Exeunt all but Malcolm and Donalbain. MALCOLM What will you do? Let's not consort with them: To show an unfelt sorrow is an office Which the false man does easy. I'll to England. DONALBAIN To Ireland, I; our separated fortune Shall keep us both the safer: where we are, There's daggers in men's smiles: the near in blood, The nearer bloody. MALCOLM This murderous shaft that's shot Hath not yet lighted, and our safest way Is to avoid the aim. Therefore, to horse; And let us not be dainty of leave-taking, But shift away: there's warrant in that theft Which steals itself, when there's no mercy left. Exeunt SCENE IV. Outside Macbeth's castle. Enter ROSS and an old Man Old Man Threescore and ten I can remember well: Within the volume of which time I have seen Hours dreadful and things strange; but this sore night Hath trifled former knowings. ROSS Ah, good father, Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it? Old Man 'Tis unnatural, Even like the deed that's done. On Tuesday last, A falcon, towering in her pride of place, Was by a mousing owl hawk'd at and kill'd. ROSS And Duncan's horses--a thing most strange and certain-- Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung out, Contending 'gainst obedience, as they would make War with mankind. Old Man 'Tis said they eat each other. ROSS They did so, to the amazement of mine eyes That look'd upon't. Here comes the good Macduff. Enter MACDUFF How goes the world, sir, now? MACDUFF Why, see you not? ROSS Is't known who did this more than bloody deed? MACDUFF Those that Macbeth hath slain. ROSS Alas, the day! What good could they pretend? MACDUFF They were suborn'd: Malcolm and Donalbain, the king's two sons, Are stol'n away and fled; which puts upon them Suspicion of the deed. ROSS 'Gainst nature still! Thriftless ambition, that wilt ravin up Thine own life's means! Then 'tis most like The sovereignty will fall upon Macbeth. MACDUFF He is already named, and gone to Scone To be invested. ROSS Where is Duncan's body? MACDUFF Carried to Colmekill, The sacred storehouse of his predecessors, And guardian of their bones. ROSS Will you to Scone? MACDUFF No, cousin, I'll to Fife. ROSS Well, I will thither. MACDUFF Well, may you see things well done there: adieu! Lest our old robes sit easier than our new! ROSS Farewell, father. Old Man God's benison go with you; and with those That would make good of bad, and friends of foes! Exeunt
07 Oct 18 UTC	Spring, 1866: Kys
07 Oct 18 UTC	Spring, 1866: There's a grief that can't be spoken, There's a pain goes on and on. Empty chairs at empty tables, Now my friends are dead and gone. Here they talked of revolution, Here it was they lit the flame, Here they sang about tomorrow and tomorrow never came. From the table in the corner, They could see a world reborn, And they rose with voices ringing, And I can hear them now The very words that they have sung Became their last communion On this lonely barricade, at dawn. Oh my friends, my friends forgive me That I live and you are gone There's a grief that can't be spoken, And there's a pain goes on and on Phantom faces at the window, Phantom shadows on the floor, Empty chairs at empty tables where my friends will meet no more. Oh my friends, my friends don't ask me What your sacrifice was for Empty chairs at empty tables Where my friend will sing no more.
07 Oct 18 UTC	Spring, 1866: There's a grief that can't be spoken, There's a pain goes on and on. Empty chairs at empty tables, Now my friends are dead and gone. Here they talked of revolution, Here it was they lit the flame, Here they sang about tomorrow and tomorrow never came. From the table in the corner, They could see a world reborn, And they rose with voices ringing, And I can hear them now The very words that they have sung Became their last communion On this lonely barricade, at dawn. Oh my friends, my friends forgive me That I live and you are gone There's a grief that can't be spoken, And there's a pain goes on and on Phantom faces at the window, Phantom shadows on the floor, Empty chairs at empty tables where my friends will meet no more. Oh my friends, my friends don't ask me What your sacrifice was for Empty chairs at empty tables Where my friend will sing no more.
07 Oct 18 UTC	Spring, 1866: There's a grief that can't be spoken, There's a pain goes on and on. Empty chairs at empty tables, Now my friends are dead and gone. Here they talked of revolution, Here it was they lit the flame, Here they sang about tomorrow and tomorrow never came. From the table in the corner, They could see a world reborn, And they rose with voices ringing, And I can hear them now The very words that they have sung Became their last communion On this lonely barricade, at dawn. Oh my friends, my friends forgive me That I live and you are gone There's a grief that can't be spoken, And there's a pain goes on and on Phantom faces at the window, Phantom shadows on the floor, Empty chairs at empty tables where my friends will meet no more. Oh my friends, my friends don't ask me What your sacrifice was for Empty chairs at empty tables Where my friend will sing no more.
07 Oct 18 UTC	Spring, 1866: There's a grief that can't be spoken, There's a pain goes on and on. Empty chairs at empty tables, Now my friends are dead and gone. Here they talked of revolution, Here it was they lit the flame, Here they sang about tomorrow and tomorrow never came. From the table in the corner, They could see a world reborn, And they rose with voices ringing, And I can hear them now The very words that they have sung Became their last communion On this lonely barricade, at dawn. Oh my friends, my friends forgive me That I live and you are gone There's a grief that can't be spoken, And there's a pain goes on and on Phantom faces at the window, Phantom shadows on the floor, Empty chairs at empty tables where my friends will meet no more. Oh my friends, my friends don't ask me What your sacrifice was for Empty chairs at empty tables Where my friend will sing no more.
07 Oct 18 UTC	Spring, 1866: Kys
08 Oct 18 UTC	Spring, 1866: Kys
08 Oct 18 UTC	Autumn, 1866: Kys
08 Oct 18 UTC	Autumn, 1866: Kys
09 Oct 18 UTC	Autumn, 1866: He thinks that man is me He knew him at a glance That stranger he has found This man could be my chance Why should I save his hide? Why should I right this wrong? When I have come so far And struggled for so long? If I speak, I am condemned If I stay silent, I am damned I am the master of hundreds of workers They all look to me Can I abandon them, how would they live If I am not free? If I speak, I am condemned If I stay silent, I am damned Who am I? Can I condemn this man to slavery? Pretend I do not feel his agony? This innocent who wears my face Who goes to judgement in my place Who am I? Can I conceal myself for evermore? Pretend I'm not the man I was before? And must my name until I die Be no more than an alibi? Must I lie? How can I ever face my fellow men? How can I ever face myself again? My soul belongs to God, I know I made that bargain long ago He gave me hope, when hope was gone He gave me strength to journey on Who am I? Who am I? I'm Jean Valjean And so Javert, you see it's true That man bears no more guilt than you Who am I? Two- four- six- oh- one!
09 Oct 18 UTC	Autumn, 1866: He thinks that man is me He knew him at a glance That stranger he has found This man could be my chance Why should I save his hide? Why should I right this wrong? When I have come so far And struggled for so long? If I speak, I am condemned If I stay silent, I am damned I am the master of hundreds of workers They all look to me Can I abandon them, how would they live If I am not free? If I speak, I am condemned If I stay silent, I am damned Who am I? Can I condemn this man to slavery? Pretend I do not feel his agony? This innocent who wears my face Who goes to judgement in my place Who am I? Can I conceal myself for evermore? Pretend I'm not the man I was before? And must my name until I die Be no more than an alibi? Must I lie? How can I ever face my fellow men? How can I ever face myself again? My soul belongs to God, I know I made that bargain long ago He gave me hope, when hope was gone He gave me strength to journey on Who am I? Who am I? I'm Jean Valjean And so Javert, you see it's true That man bears no more guilt than you Who am I? Two- four- six- oh- one!